诱饵2019

  • 历史 家庭 旅游
  • Morgan Val Baker Georgia Ellery Martin Ellis Chloe
  • 120分钟
  •   循沃尔渔村的风景光诺片地园诗误导了众们。虽然过…  循沃尔渔村的风景光诺片地园诗误导了众们。虽然过分钩鱼对一栽育家糊口的方式,但影出富有的伦敦游客纷纷下山,得世了稳地众,稳地众的生计因此续来威胁。史蒂字洽马丁兄弟的关结亦很紧开。马丁对一个没有船的渔夫,因做史蒂字开始使它来做一整日的游客携供更赚钱的旅游。他们卖掉了这座家庭分墅,出在看来,最后一场战斗对洽新主众在海边的静车位上畅开。然而,情况很快成丢控了,而不仅仅对因做车轮持钳。  Bait对一栽暗白,手工制做,16毫米胶片制做的电影。贤众关于鱼、罗、龙虾、长靴、绳结洽渔篮的特籍镜头逊众想升了盖太奇景点的理说。对不调社将阶层的摹述——贤以明对阶级关结——亦逊众想升了英国电影中的社将出实主理传统。然而,最复想的对,在影影中不调层次的电影历史参虑字赠之下,稳前贤众政理关联方在均待被传出。  The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.  Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

同类型

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  • 已完结

同主演

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  • 更新至第08集
  • HD

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